en habit de cheval造句

• Seizing on this opportunity to secure an audience for his newly developed contrapuntal style, he started work on " En habit de cheval " in June 1911.
• The orchestral version was completed by the end of October 1911, and it was in this guise that " En habit de cheval " received its first performance . Salle Gaveau ]]
• Encouraged by Roussel's approval and the quick sale of the piano duet version, Satie immediately set about transcribing " En habit de cheval " for orchestra-his first mature attempt at the genre.
• The orchestral version of " En habit de cheval " is scored for 2 flutes, 1 oboe, 1 cor anglais, 2 clarinets in Bm &, 2 bassoons, 1 sarrusophone, 2 strings.
• Biographer Alan M . Gillmor characterized " En habit de cheval " as not one of Satie's " more endearing creations, " but it stands as a milestone in the composer's development.
• For this occasion Satie wrote out all the instrumental parts for " En habit de cheval " himself, evidently because he could not afford a copyist, but in the end he chose not to appear at the concert.
• Satie's quest for objectivity in musical expression, and his modern reinterpretations of old musical forms-both exemplified in " En habit de cheval "-were influential factors in the rise of Neoclassicism in France after World War I.
• During his studies with d'Indy Satie took away the advice that " the writing has an influence on the sonority, " and for his arrangement of " En habit de cheval " he fashioned a spare, sober orchestral style that complimented the austerity of the material.